About

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Lisa DeSiro is the author of Labor (Nixes Mate Books, 2018) and Grief Dreams (White Knuckle Press, 2017). She is featured in Writers Resist: The Anthology (Running Wild Press, 2018), Nasty Women Poets: An Unapologetic Anthology of Subversive Verse (Lost Horse Press,  2017), and Thirty Days: The Best of the Tupelo Press 30/30 Project’s First Year (Tupelo Press, 2015). Her poem “In Lieu of Flowers” was a winner in the City of Cambridge 2017 Sidewalk Poetry Contest and is imprinted in front of the Cambridge Public Library. Other poems of hers have appeared  in various journals and online publications, including: Aethlon, Artemis JournalBlood & Bourbon, CliteratureCommonthought Magazine, Cordella MagazineFriends Journal, The Hampden-Sydney Poetry ReviewThe Healing Muse, Indolent Books (What Rough Beast)Jam Tarts MagazineMezzo Cammin, The Ocean State Review, Ovunque SiamoRight Hand Pointing (One Sentence Poems)Nixes Mate ReviewPlath Poetry ProjectPre-existing PoemsProdigal’s Chair, Rat’s Ass Review (Such an Ugly Time)Rattle (Poets Respond), The Road Not Taken, Salamander, Shooter Literary Magazine, Sixfold, The Writers’ Cafe, and Writers Resist.

Along with her MFA in Creative Writing from Lesley University, Lisa has degrees from Binghamton University, The Boston Conservatory, and Longy School of Music. She has performed as a pianist throughout Greater Boston and in Europe; her speciality is accompanying for art song, musical theater, and opera. She frequently collaborates with composers, providing texts to be set for singing, and is a core collaborator of the repertory group CMASH. Poems of hers can be heard in musical settings on the albums Currents and Living in Light.

In addition to being employed as Production & Editorial Assistant for C.P.E. Bach: The Complete Works, Lisa is an assistant editor for Indolent Books. She also remains active as an accompanist, and currently plays for ballet classes at Jose Mateo Ballet Theatre. To read more about Lisa’s skills and experience, visit her LinkedIn profile.