Lisa DeSiro is a multi-faceted creative artist. Born in Syracuse, NY, she has lived in the Greater Boston area since 1993.

Lisa’s published poetry collections are: Simple as a Sonnet (Kelsay Books, 2021), Labor (Nixes Mate Books, 2018), and Grief Dreams (White Knuckle Press, 2017). Her poems are featured in Writers Resist: The Anthology; Nasty Women Poets: An Unapologetic Anthology of Subversive Verse; Thirty Days: The Best of the Tupelo Press 30/30 Project’s First Year; and many other literary publications, including: Aethlon, The Avenue, Blood & Bourbon, Cliterature, Cordella Magazine, Friends Journal, The Hampden-Sydney Poetry Review, The Healing Muse, Jam Tarts Magazine, Lily Poetry Review, Mezzo Cammin, Mom Egg Review, The Ocean State Review, The Orchards Poetry Journal, Ovunque Siamo, Nixes Mate Review, Prodigal’s Chair, Rat’s Ass Review (Such an Ugly Time), Rattle (Poets Respond), Salamander, Shooter Literary Magazine, and Sixfold. Her poem “Motherly Advice” was nominated for a 2019 Pushcart Prize, and her poem “In Lieu of Flowers” was a winner in the City of Cambridge 2017 Sidewalk Poetry Contest. Several of her poems have been set to music and performed; some of these compositions can be heard on the albums Currents and Living in Light.

Lisa’s specialties as a collaborative pianist are art song, musical theater, and dance. She currently plays for classes at Boston Ballet School and José Mateo Ballet Theatre. She has also worked as an accompanist at Boston Conservatory, Emerson College, Longy School of Music, and the Massachusetts Institute of Technology. She has performed throughout New England and in Europe with numerous vocalists, instrumentalists, and ensembles. From 2018–2020 she organized and hosted the Solidarity Salon, a performance series featuring diverse artists from multiple genres in support of social justice. More recently, she has begun playing for English Country dances in the New England region.

Along with her writing and music skills, Lisa has expertise in editing, proofreading, layout, and design. In 2025, she joined the Marketing & Creative Services team at Boston University as an Assistant Editor. Previously she served for seventeen years as Production & Editorial Assistant for Carl Philipp Emanuel Bach: The Complete Works, a publishing project of The Packard Humanities Institute. She continues to provide editorial and marketing support on a contract basis for PHI’s current project, Johann Christian Bach: The Operas and Dramatic Works. Lisa has freelanced as an editor and proofreader for organizations such as Harvard University Press, Indolent Books, and Grub Street. In addition, she has designed and produced various poetry broadsides, chapbooks, concert programs, and event flyers.

Lisa earned degrees at Lesley University (MFA in Creative Writing), Binghamton University (BA in Literature and Creative Writing), Longy School of Music (MM in Collaborative Piano), and The Boston Conservatory (BM in Piano Performance/Accompanying). She also took courses at Emerson College in the graduate Writing and Publishing program. To read more about Lisa’s skills and experience, visit her LinkedIn profile.